Morning folks - well, more time away from the keyboard just doing stuff has meant there's been little time for posting, however, some stuff will be posted the noo.
So hold onto your hard-hats and be intrigued by the title of this.
You see, I really believed in my heart that photography was pretty much dead - I did and I bet you did too!
For all intents and purposes, our style of photography, pretty much is.
Where are the massed ranks of analogue photographers rushing home to their darkrooms with oodles of film?
I figure they are out there (the confidence shown by film manufacturers recently certainly says that something is going on) it's just that, be honest, apart from yourself and your mad friends, how many others have you actually seen?
Yer Sheephouse was recently extremely lucky to be invited on holiday by his parents-in-law (along with Mrs Sheephouse of course) to Dubrovnik, in Croatia.
If you've never been, go.
If you have been, you'll maybe know what I am talking about.
It's a stunningly beautiful place, full of some of the most happy and welcoming 'natives' we've ever encountered, but man is it rammed with tourists.
It's as busy as busy can be, and you know what? to a man (and woman) they're all taking photographs.
Billions and billions of them.
Everywhere.
All the time.
If I thought that Amsterdam was indeed the city of a plague of bicycles (which it is - they come at you from all directions) then Dubrovnik, is the city of the selfie-stick toting tourist.
Well, you'll be saying, that's just the modern age innit.
Yes it most certainly is, but amongst all the phone photography (and seriously, the selfie is an extraordinary phenomenon in its own right) I have never seen as many massive-lensed SLRs being carried, anywhere.
They were predominantly Canon, and toted by everyone from bearded/concerned young men, to grannies.
To my eyes, the digital compact is all but dead, having been supplanted by the phone, but for 'serious' stuff . . . well, SLR it is.
There was also a smattering of Sony NEX-style cameras, but these were outnumbered vastly.
So, photography isn't dead.
Indeed, were I to be stuck in a chair and tickled by Ken Dodd (overseas readers, look him up) then I would say, missus, that our lovely hobby is alive and kicking, in spades
But (and here's the question) how many of these masterpieces ever make it out of their little envelopes of plastic, metal and silicone?.
So, it's alive, but worrabout Film?
Did someone say film?
Well, I've mentioned this before, but there is a curious phenomenon in the world, whereby the only people carrying film cameras in daylight hours are . . . young Asian women.
I believe they're mostly Japanese too (God bless 'em) and my spotting haul was good this time - 5 film cameras!
From memory they were: an Olympus OM1, another later OM (not sure what), a Minolta, a Praktika (!) and a gorgeous Pentax Spotmatic . . .
So what was I doing to hold our side up, film fans?
What was Mr Sheephouse, proponent of film, film and more film doing?
Cough.
Err.
Cough.
No Film camera, cough.
What was that?
Cough.
Err, sorry, no film camera . . .
OK, I chickened out again about carrying film through security scanners and ended up with the Sony A6000 and 35mm f2 Nikkor-O.
Now the Nikkor is a fine lens and I've taken a lot of photos with it that I actually like, but I dunno, on the Sony, that character it normally oozes is lost in a world of digital flatness. The Sony relates any detail captured in life-like colours and great quality, but the photos below look, to me, as dead as dodos.
Let me know what you think.
I can't begin to tell you how many times I hungered for a film camera!
Honest, I even dreamed about a Leicaflex SL.
It was total pain (and shame) I was feeling, and I am now more determined than ever to travel with film. I've been thinking that something really really small and discreet like an OLD screw-mount Leica with the Canon 28mm f3.5 lens I have and using Sunny 16, would yield me the sort of photos I'd like to print.
Of course, I have the M2 too, but that is rather a target I believe, sadly.
The other thing that came to a head with the Sony was it's reaction time.
Excuse me, as I am going to swear:
It was fucking fucking fucking fucking slow.
Nearly 3 seconds to wake up and react to my presence and that stupid fucking electronic viewfinder . . ah jeez. Well, you can tell, I was frustrated as fuck. In fact I would rank the electronic VF (apart from the nice red focus confirmation bits) on the Sony as being WORSE than the faff that is focusing and composing on a screw-mount Leica.
So, is the Sony going to get the boot?
I dunno - potentially.
I think I should replace our 7 year old Panasonic which is getting a bit long in the tooth (and whose screen has started to go) but still takes a decent pic, with something that'll do the job with an optical VF, but that is compact, and for the rest, well, hyperfocal with the Canon on a screw mount Leica - how does that sound?
Or accept the cudgel, get a Sony short focal length zoom for the Sony, use that as the 'general' camera and forget about using Nikkors on it.
Oh and I think solid B&W from now on - none of this colour stuff for me (even though I like it) - so that I can come home with 36 or 64 real negatives that I can easily deal with, and not nearly 500 digital ones, that are so-so and consume hours of time to sort.
So why is photography a bit smelly then Sheepy?
Well, the thing this has all highlighted for me, is that in the total move to digital, we, as photographers, have lost SO much.
Yes, you get an optical VF with an SLR, but you also get a camera that is huge and has just way too many options that make me personally just say:
"Oh fuck OFF!"
I want something that reacts in the way an M2 or a Nikon F reacts. Quickly and intuitively. That lets the photographer be a photographer and not just a button pushing curator of menus. Yes, I know, there are the likes of the digi-Leicas and Fujis, but they're really expensive. there has to be a cheaper common ground.
I doubt this very much, but
If there is a camera manufacturer out there, who would like me to design a camera that old-time photographers WOULD ACTUALLY LIKE TO USE, then please, send me a message!
I reckon I could design one for you.
There's a huge gap in the market for something as simple and wonderful to use as the old Olympus Trip.
Anyway, without further ado, Dubrovnik . . oh and the wonderful Kotor (in Montenegro).
I make no pretensions about these photos - I just enjoyed taking them, but the results are so-so to my eyes, they're not 'art' they are '(ph)art' and they're sifted from, as I said, around 500 in total - what a fecking nightmare!
And that's it folks - normal service will be resumed shortly - got a massive backlog of negatives to be printed - I just need some time.
Be good, keep taking the pills and remember that a bird in the hand will more than likely crap in it too.
