Showing posts with label Film. Show all posts
Showing posts with label Film. Show all posts

Friday, March 30, 2012

The Deletion Of Memories

The sound of sizzling bacon is making its way up through the floorboards of the Goode Shippe FB. The sun is shining. Our trousers are lightly greased, immaculate Jason King moustaches preened into place, and the axles on the ex-council bowling green roller are well-oiled and ready to go. Yes, it is another Weekend FogBlog, and I certainly hope that our staff photographer is there to take grossly inappropriate photographs as I spill mayonaise down my frilly shirt and accidentally rip the arse out of my split-knee velveteen loons!

You will probably have, somewhere in your house, or in your Mum and Dad's house, a big plastic bag full of old family photographs. Maybe they're extremely organised and are in albums, or (as is most usually the case) there's just a ton shoved away in several boxes. Whatever way, they'll be there somewhere.
This whole practice of photo-squirelling ended for most people in the world about 7 or 8 years ago, when the advent of the (relatively) cheap digital compact camera meant that you weren't stuck with the 36 photographs of all sorts of things that you'd always wasted a roll of film on.
Nowadays, perfection has been reached - you can take a crappy photograph and look at the screen, say to yourself,  'Oh, Aunty  Jean does look like Frankenstein on this one', make your decision on the spur of the moment and bingo, press delete and it is gone forever.
Before this, you took your film to the chemists or the local lab and got them to process it, and (unless Aunty Jean got her hands on it) you were stuck with that photo of her looking exactly like Boris Karloff.
This was a good thing, because mostly you wouldn't get rid of these photos. You really didn't want to tear it in half and chuck it in the bin, because it seemed sacreligious - you had paid good money to have them processed and printed, why automatically tear them up?
Years later, when Aunty Jean had moved on to look like Lon Chaney Jr as the Wolfman:




you could go to your big bag of photos, hunt around for several hours, produce a photograph and say to her 'Remember when you used to look like Boris?'.




But not any more, it has gone. people want to look good in photographs and will delete at the tip of a hat. The thing is, where does this digital censorship stop? Pretty soon, all family photographs will be perfect and the ones that were the most revealing (and perhaps more importantly, truest to the family's real selves) are no longer there. A snapshot, literally, of family life is gone. It is sad isn't it? No more gurning grins; no more haircuts from hell; no more 'What on earth were you doing?'; no more laughter.
People these days just seem to be too darn serious.
So what am I trying to say from this? Well basically it is a plea to all you digital compact family camera people; rather than just take a photograph and automatically checking your screen and making a snap-decision on image execution, why not take a pile and don't edit them at all. I exhort you - this weekend, go out and make a load of images with a proper camera if you have one, or a digi-phone-thingy if that is the last resort.
Put all the ones you would have automatically deleted in a folder somewhere and forget about them. Set up a calendar reminder for say a year or so hence and restrain yourself from looking at them in that time. Then, when the time has passed you can look at them and maybe say to yourself  'I'm glad I didn't get rid of these'.






My wife and I were preparing a slide show for my mother-in-law's birthday, and we were going through bags of old photos looking for suitable ones that we could caption. Eventually we found them - there are plenty of others, but this is a favourite. These days I don't think it would have survived the digital culling.
It screams 1970's, and it isn't just the clothes, it's the wonderful vaguely inaccurate colour. And is that really a huge bag of Embassy and Capstans?
Oh, and I have also kept the caption we added for the slide show, simply because it makes us laugh every time we see it. Hopefully you'll feel that too . . . .
People try to reproduce this colour cast these days when they want to make things look 'retro'. Sometimes they are successful, but often it is too polished. The most successful are your valiant Lomographers, off a Sailin' the Seven Seas of Weirdness.




Wednesday, March 07, 2012

Lucky Findings

Morning, as they say around these parts, and it is. Not as cold as it has been thank goodness.
This post is going to extol the sheer enjoyment of walking around with the right camera.
You're probably muttering to yourselves, what? and you could well be right. I wander a lot with a 35mm camera and it is fine, but there's certain things that deserve the breadth of greys that you will only get with 120-size film.
The strange thing about this is, that just using medium format isn't always a guarantee of tone. My main camera for a number of years was a 1960's Rolleiflex T - quite possibly (well any Rollei really) one of the greatest cameras ever invented; negative size was the ubiquitous 6x6 cm,  however I have at times struggled to get a spaciousness of grey tones.
A number of years ago I had a Pentax 67 for a very short time - it was great but totally unreliable, as well as having the loudest shutter on the planet (akin to a bird scarer actually). I returned it to the vendor, and missed it like mad. Last year I had the opportunity to buy a Koni-Omega Rapid 100 - yes it has problems like the film advance which is the most strange thing ever, and its rangefinder is a tad dim, but the lens, gosh it's a beauty. Mine is the 90mm Super Omegon a direct descendent of the original Hexanon in a different shutter. It's a Tessar design, but actually one of the very sharpest lenses I own.  Very versatile, AND attached to the correct 'walkabout' camera (see where I am going here) just the thing for wandering around with just in case the unexpected turns up . . .which in this case it did. It wouldn't have looked half as nice in 35mm.




This TriCool machine was pure happenstance, found in some old mill buildings along the road from me. What it was for I have no idea . . however it was obviously three times cooler than any other machine on the planet.
The scan doesn't do the negative justice. Film was TMY2 400 at EI 400, developed in the rather marvellous HC110 Dilution G. This was a compensating dilution as extolled by Mr. Ansel Adams, and I really like it. HC 110 is very active, but using this dilution semi-stand gives an enormous palette of greys. The camera was handheld, and yes, the white specks everywhere are what you think they are - God bless the pigeon.
There y'go, you've maybe learned something and it wasn't too painless was it.

Early Beginnings

Och well - its 2012 and I have just caught up with the world. Funny how you sometimes need an empetus to do things, and that to me was Carl Radford liking my photographs and posting them as part of the Scottish Photographers site.
I've been a member of Scottish Photographers for a couple of years now, and it really is a diverse bunch of people . .
Anyway, the main concern of this blog is probably going to be the one creative endevour I have stuck with - namely photography. and yes I know, there's a ton of other photography blogs out there.
I hope to be a tad different in that I feel very strongly that the art form I really love has been undermined by the equivalent of 'white goods' salesmanship - namely the 'digital revolution'. I know, you'll be stroking your beards and going 'but isn't he using that self-same revolution to publish this?'  . . and you'd be right, however rather than get into the film vs. digital argument and at the risk of sounding like a curmudgeonly old fool, I'll just say, I use film. I have tried digicams and I don't like them, so B&W film it is - anything I can get my hands on really, though a preference for Kodak. Cameras are old - Nikons, a Rollei, a Wista, a Sinar and a Koni-Omega.
What else do you need to know? Well, I owe my love of this entirely to one person - the great Scottish photographer Joseph McKenzie. I was fortunate enough to be tutored by him back in the '80's and he was an inspirational man - a master photographer AND printer. In a word he epitomised the word 'photographer' - to me he is just the same as the likes of another hero of mine: W. Eugene Smith. These chaps had control of the whole creative process from making the photograph to printing the final interpretation, and I think to an extent that has been lost.
Yes you can do it with digital, but how much creative control do you have? You are using exactly the same software as everyone else. Tweaking to the nth degree the same as everyone else.
I (on the other hand) am using the same chemicals as everyone else, but minute variations in everything make it more of a creative process to me. It's a craft, and I am proud to be part of it.
It was interesting to see that the Winnipeg FreePress sees us 'analog' types as a 'counter-culture' - that made me smile very much indeed!
Sorry - I don't mean to turn off any digital users out there either - you're all welcome
Oh, and why 'FogBlog'? Well it is easier to type than 'PhotographyBlog' and hopefully I'll get to confuse the world a bit, like it can be when you are out hillwalking and a mist blows in.




And yes that hill was that steep - it is the Kilbo Path and though clearly defined can still be an eerie place when the mist comes down.